NME Radio partners with Topman
NME Radio has secured a partnership with leading men’s fashion brand Topman to create the Topman Takeover Show.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
NME Radio has secured a partnership with leading men’s fashion brand Topman to create the Topman Takeover Show.
The PPA’s Retail Marketing Group has re-launched Just Ask, its Shop Save and Home News Delivery (HND) initiative.
Key Publishing has announced the acquisition of the market leading Spanish aviation magazine, Avion Revue together with its South American editions.
Four new Board directors have been elected to the FIPP Management Board. The election took place at the recent Board meeting on 12 October in New York, USA.
For the first time, heat is flinging open the doors to its extensive archive of celebrity portraits and presenting a selection of original photographs in a brand new exhibition.
Haymarket Consumer Media has appointed Dominic Dawes as editor of What Hi-Fi? Sound and Vision magazine.
Incisive Media, a leading business information provider, has announced that Helen Alexander CBE will join the board as Non Executive Chairman with effect from 9th October 2009.
Future, the special-interest media publisher, is to release ‘The Essential Guide to Sewing’.
Battling it out against the UK’s publishing elite, Q has snatched the honour of overall winner in coveted awards, The Maggies.
As part of its 20th birthday celebrations, Bauer Media's Empire, the movie magazine, is publishing a one-off, special collectors’ issue covering two decades of the glamour, fun and plain insanity of working in the movie industry.
Fifteen of the UK’s most thought-provoking magazines are collaborating in a joint marketing effort as the Cultural Publications Group to show the breadth of titles that are available at the more serious end of the market.
The November issue of Bauer Media's health, beauty and wellbeing brand Top Sante is to be guest-edited by skincare supremo Liz Earle.
Classic Car Weekly, the title specialising in buying and selling classic cars and market news, is to return to Bauer Media from the end of November 2009, having been licensed to Kelsey Publishing in 2002.
Sony Pictures has partnered with IPC Ignite – the publishing division behind men and music brands including Nuts, NME and Mousebreaker – to deliver an integrated cross platform campaign to support the launch of Zombieland, the new comedy horror starr
Polestar Varnicoat is to print the new magazine, Stylist, from its launch issue, out yesterday, and, in January 2010, this will be joined by the existing men’s title, ShortList.