UK printers’ input requested for ISO revision
One of the most important international standards for the printing industry is to be revised and UK printers are being asked to contribute ideas and requirements.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
One of the most important international standards for the printing industry is to be revised and UK printers are being asked to contribute ideas and requirements.
BBC History Magazine has launched a 116-page bookazine, The Second World War Story, to commemorate the 70th anniversary of the start of the conflict.
The shortlist for the Maggies Awards (for The Best Magazine Covers Of The Last Year) has been announced. There are 30 titles across 6 categories. Now it is for the nation to decide ...
Sam Delaney, journalist, author, broadcaster and columnist, is to be Editor of Bauer Media’s celebrity weekly heat magazine.
IPC Advertising Central Sales group advertisement director Ali Deas has announced the appointment of Amanda Henderson to the role of Key Accounts Director.
Jonathan Shephard, CEO of the PPA, has stepped down from his post with immediate effect, it was announced yesterday.
Haymarket motoring brand What Car? has launched a new national driving school.
Stamp Magazine is celebrating its 75th birthday with a very special edition.
Thomas Kipp will assume the role of the new CEO of DHL Global Mail with immediate effect.
DHL Global Mail has launched a new “Hybrid Print & Mail” service in cooperation with their sister company Williams Lea, which combines the advantages of electronic and physical transport of mail.
iSUBSCRiBE, has announced a publishing industry initiative called The Maggies. A national poll to celebrate and award the best covers of the past year, The Maggies is voted for by the public online via themaggies.co.uk
Two Sides has launched a multifaceted awareness campaign across the UK to promote the sustainability of print and paper as 'Renewable, Recyclable and Powerful'.
Wallpaper*, the international design, fashion and lifestyle magazine, has signed up fashion designer Karl Lagerfeld and designer Philippe Starck as guest editors of its October issue.
H Bauer and Polestar have agreed a deal for the production of the two major women’s weekly titles, Bella and That's Life.
Horse & Hound, the weekly equestrian title, celebrates its 125th birthday in 2009 and the occasion is being marked with a special 196-page commemorative issue.