TI Media agrees sale of music titles
TI Media on Friday announced it has agreed to sell its music titles NME and Uncut to BandLab Technologies.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
TI Media on Friday announced it has agreed to sell its music titles NME and Uncut to BandLab Technologies.
Immediate has acquired a majority stake in River Street Events, one of the UK’s leading producers of consumer food and gardening events and festivals.
The secret of successful publishing? Using print and digital together. We review Dave Musgrove’s talk at the PPA Festival.
Staging events is an increasingly important revenue stream for publishers, but how do you get people to pitch up on the day? We grab five minutes with Circdata’s Mark Sullivan to find out…
PPA Scotland has unveiled plans for a new festival to join Edinburgh’s vibrant cultural calendar.
Immediate Media Co has announced the appointment of Charlotte Hodgman as new editor for History Revealed.
BURO.Global has appointed Sophie Beresiner in the newly-created role of Beauty & Style Director ahead of its UK flagship launch.
Dennis has appointed Nicola Bates in the newly formed role of Managing Director of Publishing.
SquareMeal, a guide to restaurants, bars and venues, has announced the appointment of Nikul Patel as Head of Telesales.
AOP audit finds ad blocking rates at three-year low, but revenue lost continues to increase.
Last Thursday, at the PPA Festival, the shortlists for the PPA Awards 2019 were unveiled.
The Newspaper & Magazine Awards 2019, organised by ACE, took place on Thursday 9th May 2019 at the Royal Garden Hotel Kensington.
The AOP has announced the launch of the AOP Protocol that aims to reduce risk and create greater transparency in the age of GDPR.
The Week magazine has launched a new TV advertising campaign as part of what the publishers says is a £1m marketing investment in the UK brand.
With the May/June issue of InPublishing magazine going to press, editor James Evelegh picks out some of the takeaways.