Trail magazine launches ‘Mountains for the Mind’ campaign
Bauer Media’s hill walking magazine Trail yesterday launched a major new Mountains for the Mind campaign in association with mental health charity, Mind.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Bauer Media’s hill walking magazine Trail yesterday launched a major new Mountains for the Mind campaign in association with mental health charity, Mind.
James Evelegh's editorial from today’s edition of InPubWeekly.
Digital publishing company Exact Editions is partnering with Future PLC to produce a new digital music magazine collection including Computer Music, Guitar Techniques, Future Music, Total Guitar and Guitarist.
A six-year run of continuous overall UK marketing budget growth came to an end in Q4 2018, with a net balance of +0.0% of marketing executives signalling no change in budgets during the fourth quarter.
Air Business, a supplier of global mail, fulfilment, distribution and subscription management services is to be a Strategic Partner of the Professional Publishers Association (PPA) for the 10th consecutive year.
As we near the midpoint of the Trump presidency, The Atlantic has catalogued what it describes as the 50 most norm-bending moments of the administration, analysed by 50 of The Atlantic’s writers and contributors.
The board of the Press Distribution Forum has appointed Grant Jordan as the new Chair of the Press Distribution Forum.
What role will print have in publishing’s future? Will it survive, should it survive? We grab five minutes with Matt Carry, sales director at Acorn Web Offset.
The RadioTimes website had, according to its publishers, record-breaking audience numbers in December 2018, with 15.3 million unique users visiting the site.
Prime Impact Events & Media has this week launched a new consumer title, Be Kind.
Yesterday saw the launch of the new-look PPA Awards, the PPA’s annual celebration of talent among UK publishers in business and magazine media.
Signature Publishing and Hasbro Inc recently published under license a new multi-character magazine which will showcase many of Hasbro’s successful brands.
The Association for Online Publishing (AOP) yesterday announced a collaboration with organisational culture consultancy PROJECT 23, to focus on employee engagement, health, and wellbeing for its publisher members.
The World Media Group (a strategic alliance of leading media brands) has published a new survey into content-led marketing.
Acorn Web, the magazine printer, continues its focus on short to medium run A4 and A5 magazines by adding a new 32pp Lithoman press from manroland Goss web systems.