The Big Issue implements Augmented Reality
The Big Issue and Konica Minolta are partnering up to offer readers a new way to access exclusive content through the use of the augmented reality (AR) app, genARate.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Big Issue and Konica Minolta are partnering up to offer readers a new way to access exclusive content through the use of the augmented reality (AR) app, genARate.
Stacey Dooley MBE has joined Grazia magazine as Contributing Editor (Investigations) it was announced yesterday.
Walstead, the parent company of Wyndeham Group, today announces that all the companies in Wyndeham Group will be rebranded and integrated under the Walstead name in the first quarter of 2019 and the Wyndeham brand will then cease to be used.
British GQ and Century, Penguin Random House, yesterday announced that Tony Parsons’ next DC Max Wolfe novel, #taken, will be serialised in its entirety exclusively on GQ.co.uk, ahead of the novel's publication on 18th April 2019.
ESco, a publishing services bureau, has announced that the Catholic Herald joined as a new client in December.
Simon Redlich, ABC’s Chief Executive, has been elected onto the Executive Committee of IFABC (the International Federation of Audit Bureaux of Certification).
The Independent Press Standards Organisation (IPSO) has announced new appointments to its Board and Complaints Committee. They will take up their posts from 1 January 2019.
Digital publishing revenues increased by 5.3%, with combined totals rising to £452.8 million over the last year, according to the latest Digital Publishers Revenue Index (DPRI), a quarterly report on UK publishing from the Association for Online Publ
Film magazine Cineaste has launched a digital archive of issues dating back to 2014 in conjunction with digital publishing company Exact Editions.
The Independent Press Standards Organisation (IPSO) yesterday issued guidance for editors and journalists on reporting suicide.
The Printing Charity announced at its 191st Annual Luncheon on 22 November at Stationers’ Hall, London, that Lionel Barber, Editor of the Financial Times, has accepted its invitation to serve a second term as the charity’s President.
DrivingElectric magazine launches this week – the new 100-page quarterly magazine is available in WHSmith high street and travel outlets for £5.00.
The FIPP and UPM Rising Stars in Media Awards for 2018 were announced this week at the FIPP Insider event in London.
Air Business, a supplier of global mail, fulfilment, distribution and subscription management services, has appointed Lenka Booker as its new Customer Experience Director to ensure customers remain at the heart of all processes and future planning.
Exact Editions is partnering with new independent magazine Film Stories to produce its digital edition.