Denmaur Launches New Amadeus Branding and Swatch
Denmaur Paper Media has given a facelift to its flagship range, Amadeus, with new branding and imagery, and an addition to the range in the form of 400g/m² Silk.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Denmaur Paper Media has given a facelift to its flagship range, Amadeus, with new branding and imagery, and an addition to the range in the form of 400g/m² Silk.
Last Thursday, at an awards ceremony in Glasgow, the winners of the PPA Scottish Magazine Awards 2018 were announced.
Cosmopolitan has announced a competition in partnership with flatshare site SpareRoom to offer four individuals a month-long paid scholarship with central-London accommodation included.
Intermedia Brand Marketing, a provider of circulation marketing and distribution services, this week announced a number of internal appointments.
James Evelegh's editorial from today’s edition of InPubWeekly.
PPA CEO Barry McIlheney was presented with the Lifetime Achievement award by Magazines Ireland at their annual awards ceremony last Thursday evening.
Condé Nast International yesterday unveiled its global creative network, Condé Nast Creative Studio; unifying its eleven creative departments under a single brand identity, dedicated to servicing the needs of commercial partners around the world.
This Is Enid Blyton, a new one-off children’s magazine from DC Thomson Media, is now on sale.
Stylist has today announced the launch of its Remarkable Women Awards on 5th March 2019, an event that will recognise all those who have worked “tirelessly to help make sure the world hears every female voice”.
A trial that saw Lego Star Wars magazine distributed to multiple retailers first has been halted, after complaints from the NFRN.
Marie Claire UK, TI Media’s fashion and beauty magazine brand, in November launched what it describes as a “unique, first-in-class online fashion aggregator platform”: Marie Claire Edit.
Readly, the global subscription service for digital magazines, yesterday announced its entry to the Netherlands and further expansion of operations in Europe.
Air Business, the global distribution, fulfilment and subscriptions management company, has won the contract to provide international distribution for Immediate Media Co’s special interest magazine titles.
Daily Mail and General Trust has today published its results for the year ended 30 September 2018.
A fourth Stahlfolder TH 82-P (and the company’s 11th folder in total) is being added by Stephens & George to meet the significantly increased output from the “Push to Stop” version Speedmaster XL 106-8-P press installed in the summer.