AOP Digital Publishing Awards 2018: Winners Revealed
The Association for Online Publishing (AOP) introduced two new categories at its flagship annual awards ceremony on Wednesday night.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Association for Online Publishing (AOP) introduced two new categories at its flagship annual awards ceremony on Wednesday night.
Hearst UK has today announced the shortlist of Big Book, a new awards and accreditation initiative aimed at discovering the best new fiction and non-fiction titles in UK publishing.
The 38th annual PPA Awards were held tonight, June 27, at Grosvenor House, with 800 guests in attendance.
ShortList yesterday announced a year-long landmark initiative – ManKind – designed to help men escape outdated stereotypes and lead happier lives.
Scottish Wedding Directory has released a cover shoot featuring two brides and two grooms for a split-run cover on its summer issue.
Future yesterday announced the appointments of two new editors for its music titles Guitar World and Guitar Player.
Furniture brand Neptune is among the first advertisers in the UK to pioneer the first commercial use of Pinterest’s new Pincodes through a print and digital campaign in partnership with lifestyle publication Livingetc, combining advertorial, product
The Ritz-Carlton on Friday announced a global partnership with Hearst Magazines Digital Media on “The Stay,” a digital campaign that explores the “infinite possibilities” offered by a stay at The Ritz-Carlton through the lens of five original short f
InPublishing has just published ‘The InPublishing Guide to Paid Content Strategies’, the first in a new series of top-level strategic guides looking at key areas of publishing strategy.
Shortlist Media yesterday unveiled its redesigned corporate website.
Global Media Hub has announced a new partnership with Eurotunnel Le Shuttle, providing a digital platform to their customers travelling between Folkestone and Calais.
Hearst UK has announced that Red Smart Women Week will return for its fourth year this September, celebrating the brand’s 20th birthday.
Alex van Straubenzee has decided to retire from his position as Chief Executive Officer of the news and magazine industry charity, NewstrAid, with effect from the end of October 2018.
The Spotlight Awards 2018 took place on Thursday June 14 at The Vinyl Factory in Soho.
In early June, Future announced that Zillah Byng-Thorne, Chief Executive has pledged her support of the Ascent CEO promise, an initiative which outlines actions required by organisations and companies to create an inclusive and equitable workplace.