Media 10 announces new editor for ICON
Media 10 has announced the appointment of Priya Khanchandani as Editor of its design and architecture brand ICON.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Media 10 has announced the appointment of Priya Khanchandani as Editor of its design and architecture brand ICON.
PageSuite, a digital, mobile and tablet publishing company, has announced a partnership with MPP Global, a subscription and billing platform provider.
Branded content agency Nemorin Creative Film and Video has appointed Graham Hayday as director of content and strategy.
Millennials consume content very differently to the way previous generations did. We grab five minutes with vjoon’s David Rheault, to get his thoughts on what publishers should be doing to meet changing consumer expectations.
Hearst UK has launched a new metric to demonstrate the engagement quality of digital branded content for its commercial partners.
The Times Literary Supplement is partnering with digital publishing company Exact Editions to launch a digital archive of over 300 issues which stretch back to 2012.
On 3 July, David Allan, Chairman of the Ian Allan Group, was elected Master of the Stationers’ Company.
Gold Key Media has received ABC accreditation for its Digital Entertainment Platform.
With the long slow demise of the ad-funded model, more publishers are exploring the potential for reader revenues. Peter Houston, author of the InPublishing Guide to Paid Content Strategies, explains why the time is right.
James Evelegh's editorial from this week's edition of InPubWeekly.
PCS, a leading publishing software developer, this week announced that Midlands News Association (MNA) is the first customer to go live with Knowledge Prospect.
ShortList has today published its first ever LGBTQ+ themed issue, in partnership with men’s grooming brand, Harry’s, to celebrate Pride in London.
Dennis Publishing’s cycling media brand, Cyclist, recently announced the launch of the first in a new line of premium coffees.
Jewish Quarterly is re-launching with a digital edition created in partnership with digital publishing company Exact Editions, which now includes the full archive dating back to 1953.
Walstead, an independent commercial printing group, has announced that all conditions relating to the acquisition of NP Druck GmbH from NÖ Pressehaus, which was announced on 14 May 2018, have been met and the transaction completed on 29 June 2018.