Gold Key Media at the World Cup
Gold Key Media is supplying the German national football team with digital publications for the World Cup.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Gold Key Media is supplying the German national football team with digital publications for the World Cup.
Time Inc UK yesterday rebranded as TI Media and unveiled its new logo following a vote by employees to decide the winning design.
Hearst Made, the in-house content marketing agency of Hearst UK, has produced a series of TV and digital edits for George for the launch of its summer fashion range.
Wyndeham has announced a two-year extension to its print contract with Hearst UK and has been awarded three additional titles by the company.
Hearst UK yesterday announced its new consumer facing campaign, Financially Fabulous, a combination of content and events tailored to provide women with financial advice.
The British Society of Magazine Editors’ Talent Awards were announced on Monday, 4 June at Lalit London.
Responding to the Treasury Select Committee’s inquiry into VAT, the PPA has outlined the case for correcting a longstanding anomaly in the tax system, through platform neutral application of the zero-rate afforded to magazines and journals.
The Association for Online Publishing (AOP) yesterday announced the results of a two-year ad blocking audit among its members, showing the latest trends in ad blocking and its effects on publishers.
Anna Conrad has been promoted to Editor of GQ.co.uk with immediate effect.
Haymarket Media Group last week announced the sale of Stuff, its gadget magazine, to Kelsey Media.
WoodWing, a multichannel publishing and digital asset management software company, has announced the appointment of Ross Paterson as the company’s new Chief Executive Officer (CEO).
Wallpaper* has teamed up with the Royal College of Art to stage its inaugural Design Masterclass this summer.
DC Thomson Media has launched Society, a new lifestyle brand showcasing the best of the North-east of Scotland.
Design can make or break a magazine. We grab five minutes with Ian Blaza of Raspberry Jam Creative to get his thoughts on what makes good design … and what can lead to bad design.
Rhapsody has strengthened its client services team with the appointment of Dave Bibby, formerly of Williams Lea Tag, into the new role of Strategic Business Director.