Imagine strengthens London sales team
Imagine Publishing has appointed experienced account director Ashley Snell to join its London-based sales team.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Imagine Publishing has appointed experienced account director Ashley Snell to join its London-based sales team.
ELLE, Hearst’s fashion magazine, is launching an innovative multi-platform campaign to promote a new product from leading hair styling brand, ghd.
Haymarket Consumer Media - home to What Car?, Autocar and PistonHeads - has appointed Georgia Coles as the new Business Development Director, Automotive Creative Solutions.
BBC History Magazine’s History Weekend festival is back this autumn for a third year running, and this year will be staged in two locations – York and Malmesbury - across two weekends.
At last month’s ACE Press Awards, hosted at The Dorchester, the first award of the evening to be presented was ‘Product of the Year – Nominated by Independent Retailers’.
Future yesterday presented ‘Techmonitor 2015 – Are we thriving or surviving in a connected world?’, its biennial in-depth research, looking at the tech industry and consumer habits and trends compiled with Source, a leading independent market researc
T3, Future’s lifestyle technology media brand, today unveils a multi-platform relaunch across its magazine, website, digital edition and award ceremony, including the addition of a new brand extension, T3 Squared - a free supplement that will be dist
Net-a-Porter.com has announced the appointment of high-profile international beauty expert, Newby Hands to the role of Beauty Director for its fashion magazine brands, Porter and The Edit.
Hearst Magazines UK, the publisher of Good Housekeeping, Cosmopolitan, Harper’s Bazaar and Esquire, has won the content account for supermarket retailer Asda.
PA Images, a leading news, sport and entertainment image provider, has launched a new website which for the first time will be made available to non-PA customers to transact directly over the web.
Sara Howers has been appointed Group Data Protection Officer for Haymarket Media Group.
Fashion’s Night Out, Vogue’s celebration of shopping and style, returns on the 10th September as Vogue Loves Regent Street, it was announced yesterday by Alexandra Shulman, Editor of British Vogue.
Egmont Publishing UK, Magazines announced on Friday, the appointment of Emma Fogden as Editorial Director for the Group.
Future plc has arranged a new £5.5m multicurrency revolving and overdraft facility ahead of the maturity of its existing facilities in December 2015.
Hearst Magazines UK, the publisher of Cosmopolitan, Elle, Esquire, Good Housekeeping and Harper’s Bazaar, has bolstered its commercial team with the appointment of Jane Wolfson as Head of Commercial Operations.