Sir David Arculus to give annual Stationers’ lecture
“Riding a tiger”: Sir David Arculus picks his time at EMAP as the subject for this year’s Stationers’ Company Annual Lecture.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
“Riding a tiger”: Sir David Arculus picks his time at EMAP as the subject for this year’s Stationers’ Company Annual Lecture.
Magnetic, the new marketing agency for magazine media in the UK, yesterday announced it will officially open doors to customers in March and appointed Mark Cranmer, former Global Executive Director at Dentsu Aegis Group, as its first Chairman.
Quadrant, the subscriptions management bureau and part of the Air Business Group, has taken on two more titles to its established subscription management service on behalf of DC Thomson: This England and Evergreen.
Dolly Jones has been appointed Digital Strategy Director of Condé Nast Digital, and Lucy Hutchings has been promoted to Editor of Vogue.co.uk, it was announced today. The posts will be effective from 1st March.
Gold Key Media today announced that Oliver Morgan has been promoted to the position of Business Development Director to further develop their portfolio of UK and international publishing clients.
App developer YUDU announces the launch of its Social Wall, a new way for magazine publishers to integrate their social media channels into an app, and increase audience engagement.
The shortlist has been announced for the British Media Awards 2015.
Cyclist magazine is set to launch in Germany in February 2015, in its second international licensing agreement to date.
Research released today by the Internet Advertising Bureau (IAB) UK, BVDW, IAB Europe, IAB France, IAB Italy, and IAB Spain, shows that 27% of UK media agencies employees have “no idea” how to comply with mobile privacy, and 22% have “no idea” about
Golf Monthly is launching a free digital monthly magazine titled What’s In the Bag, keeping keen golfers up-to-date on all the latest equipment from the world of golf.
The ABC yesterday released the consumer magazine circulation results for the July - December 2014 period and publishers have responded with their interpretation of the figures.
Air Business has been selected as strategic partner of the Professional Publishers Association (PPA) for the sixth consecutive year this February.
Amazing Dinosaur Discovery, a weekly partwork from RBA Coleccionables, is being relaunched. The first issue goes on sale 25 February, at the introductory price of 99p.
VICE, the global youth media company, yesterday announced that Ellis Jones has been named VICE Magazine’s editor in chief. Ellis will be the first female editor in chief in VICE’s 20-year history.
olive magazine, the food monthly, has launched a new website featuring its trademark “easy but impressive” recipes, alongside restaurant and travel features and reviews.