Miss Vogue Launches Online
Miss Vogue, the fashion title’s younger sister, has launched online it was announced today.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Miss Vogue, the fashion title’s younger sister, has launched online it was announced today.
The Mark Allen Group is adding to its music portfolio with its acquisition on Friday of the leading world music magazine, Songlines.
The Internet Advertising Bureau (IAB UK) has released part one of a set of guidelines to help the marketing industry provide more transparency to consumers around ‘native’ advertising.
With the new version 9.5 of its multi-channel publishing system Enterprise, WoodWing simplifies reusing online content in print, enabling users to tailor their stories to channel specific requirements.
Vogue has announced that its first monthly digital replica edition built especially for the iPhone is available with the March 2015 edition, on sale now.
Time Inc. (UK) yesterday announced the acquisition of UK Cycling Events (UKCE), a leading provider of premium cycling events.
The National Readership Survey Board has announced that Simon Marquis will be stepping down from his current position as Chairman at the end of the year.
To unlock potential in digital whilst continuing to leverage its global print business, the Bauer Media Group yesterday announced a repositioning of its digital businesses under one global umbrella: Bauer Xcel Media.
5 fifteen, a leading global advertising sales solutions provider, is expanding its global operations serving the magazine, newspaper, broadcast, and digital publishing industry with a strategic hire focusing on business development in North America.
The PPA last week announced the shortlist for their 2015 New Talent Awards.
InPublishing is the premier media partner for this year’s P&ME. Melanie Shah here previews one of the most important parts of the event – the seminar programme.
The Net-A-Porter Group has released Porter’s first publisher’s statement showing a circulation of 152,500 after six issues, which, say the publishers, puts the brand significantly ahead of its target and positions it for rapid growth in 2015.
Dennis Motoring websites Auto Express, Carbuyer and evo have seen record starts to 2015, recording large increases in visitor numbers.
The Duke of Edinburgh has written an opinion piece for New Scientist.
The Independent Press Standards Organisation (IPSO) has announced today the names of those that have been appointed to its Appointments Panel.