New partwork: Dinosaurs & Friends
Dinosaurs & Friends, a new weekly parkwork from De Agostini goes on sale on 11 February at an introductory price of £1.99.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dinosaurs & Friends, a new weekly parkwork from De Agostini goes on sale on 11 February at an introductory price of £1.99.
Marie Claire, the fashion glossy, and Speciality Stores Ltd, a subsidiary of Ocado Group, are forming a partnership to launch a premium beauty and wellbeing business offering customers the opportunity to purchase from both physical stores and online.
Luke Day has been promoted to Editor of GQ Style, it was announced today by Dylan Jones, Editor of British GQ and Editor in Chief of GQ Style.
Russian supermodel, Natalia Vodianova, graces the first anniversary cover of Porter wearing Valentino. The portrait is taken by celebrated American art photographer, Ryan McGinley.
ABC and the Joint Industry Committee for Web Standards (JICWEBS) yesterday announced an evolution of the current division of standards responsibilities across the two organisations.
Haymarket Consumer Media has announced a new management team for its consumer electronics division as part of its global expansion plan for Stuff and What Hi-Fi?.
Haymarket Consumer Media has announced an all-new management team for its automotive division as it prepares further investments in its What Car?, PistonHeads and Autocar brands.
PageSuite has revealed plans to expand their London office and open up a new office in the US.
Independent retailers have renewed demands for wholesalers to pass on the fall in petrol and diesel prices by dropping their carriage charges immediately.
Leading figures from the world of magazine media will explore the findings from the PPA's latest Publishing Futures research in a full day of seminars and panel discussions at this year's Publishing & Media Expo.
Bauer Media has launched Bauer Knowledge: The Millennial Chapter, revealing experience is the most valued status symbol for the UK’s millennials. It is the first insight in a series of in depth studies into key audiences.
Ciara Byrne is appointed Sales Director of Ars Technica UK and Sebastian Anthony is appointed Senior Editor leading all UK editorial, it was announced today by S.I. Newhouse IV, Ars Technica UK's Business Director.
Time Inc. UK today reveals a new customer-focused structure for its advertising team, giving both clients and agencies simplified and better access to Time Inc. UK’s advertising solutions, scale and brands.
Not long ago, MPA - The Association of Magazine Media promulgated an industry name change, from magazine publishing to "magazine media". But, writes Karlene Lukovitz, that moniker may also soon be obsolete.
As Green Star Media approaches its 20th birthday, it is not only a far larger business than in its early days, but one with a very different focus. As MD Andrew Griffiths tells Jo Bowman, a change in direction allied to a firm belief in the subscript