Off The Page
David Hepworth on magazines and beyond
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
David Hepworth on magazines and beyond
Can’t get enough of Kim and Kanye or I’m a Celebrity and X Factor? Or do you prefer your celebrities a bit more old school like royalty and actors who have actually done something? Whether it’s Kerry or Geri, Mel S or Mel B, Kate or Katie, there’s a
A publisher’s webstore is a critical step in the online journey of converting would-be subscribers into fully paid-up subscribers. Creating customer confidence online, dealing effectively with shopping cart abandonment and receiving accurate real-tim
Press sales, both magazines and newspapers, are coming under increasing pressure around the globe. Yet behind that stark – and obvious – headline, writes Jim Bilton, there lies a complex world.
Jim Foster on the world of ePublishing
BBC Good Food magazine celebrated its 25th anniversary last autumn. Founding editorial director Nicholas Brett charts the 25-year story of the BBC Good Food brand - from a print-only magazine to a multi-platform publishing phenomenon.
In the good old days, life was simpler for circulation departments. You had your newsstand sales and you had your subs. Add them together and you got your total circulation figure, which the commercial teams sold advertising against. Alas, as Chris H
Many publishers are venturing into live events – whether paid conferences or large scale paid or free exhibitions - as an additional source of revenue, providing their audience with live content and networking, and sponsors with the chance for face t
At last summer’s AOP awards, Cosmopolitan.co.uk’s editor, Kate Lucey, won the award for Digital Editorial Individual 2014. We asked Kate what advice she would give other publishers looking to boost their web traffic. Kate had ten tips.
To be successful, apps should be quick to download, easy to use and offer better functionality than the browser. One that ticks all these boxes, says Andy Cowles, is Wunderlist.
News UK is a well-known name in UK media, publishing titles such as The Sun, The Times and Sunday Times. InPublishing was intrigued when in November 2014 News UK announced the launch of a new publisher-facing division: Newssolutions. What is Newssolu
The Economist Group announced yesterday that Zanny Minton Beddoes has been named as the 17th editor of The Economist.
The UK’s Joint Industry Committee for Web Standards (JICWEBS) – the independent body that defines best practice and standards for online ad trading – confirms that, in mid-December at the IPA, it held the first cross-industry technical group meeting
Egmont Publishing has decided to close their publishing activities in the USA as part of an overall strategic focus on market leading positions.
Future yesterday revealed its new 2015 Bookazine strategy for its Technology portfolio.