Dennis supports Amber
Dennis Publishing has announced that the charity the company will be supporting in 2015 is The Amber Foundation.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dennis Publishing has announced that the charity the company will be supporting in 2015 is The Amber Foundation.
Retailers’ concerns about high carriage charges came under the spotlight when senior NFRN management met with news wholesaler Newspread in Belfast last week.
Future yesterday unveiled significant developments to its website TechRadar.com with the launch of a new responsive site and the arrival of a new channel, covering the growing wearable technology category.
The new vjoon K4 version boosts K4 Web Editor ICML's performance and adds a host of productivity-enhancing features to the cross-media publishing platform, including flexible XMP metadata management and a link to social media.
Backpass, a monthly football title, has a new owner and new name. Now called Extra Time & Backpass, the first issue of the new look magazine goes on sale 31 January, priced £4.20.
SuperBike, a magazine for sports bike fans, has been acquired by London-based G10 Media from Blaze Publishing.
TeamRock.com has announced the appointment of Michael Tobin OBE as a non-executive director of the company with immediate effect.
Immediate Media Co, the special interest content and platform company, yesterday announced an agreement to acquire Hitched.co.uk, a leading UK wedding planning brand.
bbcgoodfood.com finished 2014 with a record breaking month, for traffic and advertising revenue.
Precious Rocks, Gems & Minerals, a weekly partwork from RBA Coleccionables, is being relaunched. Issue one, priced at 99p, goes on sale on 21 January.
Going back to its roots, Say Media has launched Tempest, the publishing platform that’s set to reinvent the digital magazine, says the company.
Fashion and beauty title InStyle is set to welcome the EE British Academy Film Awards with its biggest pre-Bafta celebration yet.
BMWi is partnering the 11th edition of the Wallpaper* Design Awards, taking place in London on Thursday 15 January 2015.
Cosmopolitan yesterday launched The Cosmo Body Show on TV.
Imagine Publishing this week announced that it has appointed former JCDecaux Product Director, James Power, to head up the company’s newly-formed advertising sales team in London.