New Partwork: 3D Create & Print
3D Create & Print, a new weekly partwork from Eaglemoss, goes on sale 14 January. The first issue is priced at £1.99.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
3D Create & Print, a new weekly partwork from Eaglemoss, goes on sale 14 January. The first issue is priced at £1.99.
James Tye, CEO of Dennis Publishing, has been appointed Deputy Chairman of the Professional Publishers Association, meaning he will take over as Chairman of the association in 2016.
DC Thomson Consumer Products today announces that The Beano Annual 2015 is the number one annual in the UK and one of the best-selling children’s Christmas books of 2014.
Danielle Bennison-Brown has been appointed Director of Video Content of Condé Nast Britain, it was announced yesterday by Wil Harris, Head of Digital.
BBC Good Food Magazine has made a move to ‘real time publishing’ from the January issue, on sale now.
5 fifteen, a leading UK software company supplying publishers adound the world, yesterday announced the purchase of its ad booking and processing software, ad DEPOT, by Hearst Advertising Worldwide (HAW).
News UK, publisher of The Sun, The Times and The Sunday Times, has launched a brand new healthy living and diet website - Newme.co.uk.
The Vogue Festival returns this year, taking place over the weekend of 25th and 26th April, it was announced yesterday.
The World Association of Newspapers and News Publishers (WAN-IFRA) and the World Editors Forum has condemned today’s attack against French satirical publication Charlie Hebdo that has left 11 dead and at least four seriously injured.
Hearst Magazines UK yesterday announced the launch of ‘Hearst Beauty Unbound’, a multi-platform ‘beauty takeover’ encompassing editorial and advertising across the entire portfolio in April 2015, hitting May issues.
Time Inc UK has announced the launch of a new monthly magazine: Fit & Well from the team behind weekly lifestyle brands Woman and Woman’s Own.
Future plc, the international media group, has published its Annual Report & Accounts for the year ended 30 September 2014.
Imagine Publishing is taking its first step into Asia with its How It Works brand.
Future plc announced on Friday, the next stage in its development of its global entertainment website GamesRadar+, with the restructuring of two key channels - News and Reviews.
With effect from 1 January 2015, Simon Gage takes over as Chairman of the Press Distribution Forum (PDF) on behalf of the ANMW from Mike Mirams, who has held the position through 2014 for the PPA.