Forbes introduces Forbes In Europe
Forbes Media has announced the introduction of Forbes in Europe, an English-language edition of Forbes magazine that will be distributed bi-weekly in eleven European countries.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Forbes Media has announced the introduction of Forbes in Europe, an English-language edition of Forbes magazine that will be distributed bi-weekly in eleven European countries.
BBC Top Gear Magazine is now available in Turkey, following a licensing deal between BBC Magazines and Safran Medya.
Express KCS Media Backoffice, a leading provider of outsourced graphic production services, has announced the appointment of Sharon D’Cruz as Senior VP Marketing.
The Media and Entertainment team of Grant Thornton UK LLP has announced the appointment of James Robson as a Director in its corporate finance division.
Woman, IPC Connect’s women’s lifestyle magazine, is relaunching on May 10 to exploit what it sees as a gap in the market for a more positive and aspirational weekly magazine for women aged 35-plus.
BBC Top Gear Magazine is now available in Finland, following a licensing deal between BBC Magazines and PMG Nordic, part of Pauna Media Group Ltd.
The National Magazine Company has announced the appointment of Jessica Myers to the role of Group Ad Director for NatMag’s Weeklies.
gurgle.com has announced the launch of its first print magazine ‘Gurgle’, in partnership with independent publishing and events company, Media 10.
Soaplife, the fortnightly magazine, has announced a sponsorship deal with M1 Management’s celebrity football team, M1 Charity FC.
FHM has announced Rosie Huntington-Whiteley as the winner of FHM's 100 Sexiest Women in the World 2011 poll in association with VO5 Extreme Style. The model and actress has “sensationally stolen the crown from two-time winner Cheryl Cole”.
Kerrang Magazine has revealed the nominations for the 2011 Kerrang Awards fuelled by Relentless Energy Drink, which take place in London on Thursday 9 June.
For the first time, an international designer (Vivienne Westwood) and an international fashion magazine (Marie Claire) have joined forces to launch a global project that both drives awareness of deforestation and influences the current trend of up-cy
Ford is partnering with IPC Media again this summer to launch a new four-month campaign for Ford Fiesta called “Love the Summer Vibes”.
Future, the special-interest media group, has unveiled an exciting new look for Mountain Biking UK.
Reader’s Digest has unwrapped a brand-new look with its May issue, following a multi-million pound investment and a huge insight project into its target audience.