Granta launches in Italian
After Granta en espanol (2004) and Granta em Portugues (2007), Granta magazine announces an Italian edition.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
After Granta en espanol (2004) and Granta em Portugues (2007), Granta magazine announces an Italian edition.
Weight Watchers magazine unveils a major redesign this week as its June issue goes on sale.
I love…, a new series of alternate monthly magazines from LCD Publishing, goes on sale 20 May, cover priced £2.99.
Esquire’s new Editor, Alex Bilmes, has unveiled his first issue of the men’s style magazine, “complete with a ‘dream team’ of new writers, new sections, a new size and a new, curvier logo to go with his new, curvier cover star”.
WIRED 2011 is the next step in WIRED’s mission to celebrate the ideas, innovations and people reshaping our world.
Future has unveiled a “sleek” new look for Cycling Plus magazine.
Informa employees and the Group have joined together to donate £32,750 to the Red Cross for Japan relief work after the devastating tsunami in March.
Glenfiddich has signed a major sponsorship deal with MOJO, the music monthly, to be headline sponsor of the MOJO Honours List, the magazine's annual awards ceremony which celebrates and rewards the greatest names in music.
Publishing Technology plc, a leading provider of software and services to the publishing industry, today announced an agreement for major implementation project of its journal fulfilment software by leading international publisher SAGE.
IPC Southbank, the upmarket women’s division of IPC Media, announces that Look, its weekly fashion magazine, has joined its portfolio from IPC Connect.
The BBC’s Homes & Antiques magazine has unveiled a 1950s living room at London’s Royal Festival Hall, as part of the Southbank Centre’s 60th anniversary celebrations of the Festival of Britain.
Grazia will be pushing back its usual deadlines on Friday 29 April to produce a special Royal Wedding issue.
Haymarket Network, which was recently appointed by LOCOG to produce the official programmes for the 2012 Olympics, has announced that it has also been chosen to design and produce the souvenir Official Programme published to mark the marriage of Prin
Online service developer and digital media specialist, Abacus e-Media, has announced the completion of a management buy-out from its owner of four years, Bond International Software PLC.
Internal communication research and training business Melcrum is re-launching its flagship print publication Strategic Communication Management (SCM).