Buxton invests in Fujifilm XMF installation
Buxton Press has signed for what it claims will be Europe’s largest installation of Fujifilm’s XMF cross-media workflow solutions, the print management and optimisation system.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Buxton Press has signed for what it claims will be Europe’s largest installation of Fujifilm’s XMF cross-media workflow solutions, the print management and optimisation system.
Big Spark Publishing has been chosen by Anglian Water to mastermind the production of a new 35,000 print run title called ‘It’s Great Outdoors'.
FIPP has unveiled international mailing company, Air Business, as its latest strategic sponsor.
Fashion and beauty title InStyle is launching an exciting new fashion hunt, which will take place over seven days from Monday 7 June.
Fairytale Princess is a new bi-monthly magazine (cover price - £2.75) for young girls, from Prestige Publishing.
August Media will launch its Young Journalist Award next month.
Max Power’s Editor – Mark Guest – swept to victory in the Paper-Plane Grand Prix at the Specialist Media Show held recently at the Exec Centre in Peterborough.
Headley Brothers has opted for the Kodak Nexpress SE2500 Digital Production Color Press with Fifth Imaging Unit and new Kodak Dimensional Printing Technology to expand their digital product portfolio.
Music Legend Dolly Parton’s Award Winning Imagination Library selects Air Business as the exclusive distribution partner in the UK.
IPC Inspire – IPC Media’s men’s division – has announced the appointment of David Glenn as the new editor of Yachting World.
The model and actress was flown to South Africa for the exclusive photo shoot in which she shows her allegiance to England by appearing with three lions.
The July issue of BBC Worldwide’s popular science and technology magazine Focus featured an augmented reality cover, set to be the “scariest cover in magazine history”. But the AR features were not just limited to the cover. Publisher Andrew Davies t
The 21st May issue of Nuts magazine was billed as a 3D special – “like Avatar with boobs!”. Publisher Clair Porteous explains why they did it and how they went about it.
Magic happens when little square symbols on pages are held up to a computer’s camera: celebrities dance, models prance, and merchandise pops off the screen. The following case study is taken from the Innovations in Magazines 2010 World Report, edited
IPC Media has extended its contract with Polestar for the production of a number of titles across its three publishing divisions, IPC Inspire, IPC Connect and IPC Southbank.