Centaur acquires Taxbriefs
On Friday 28th May, Centaur acquired the company Taxbriefs Holdings Ltd for a consideration of £1.9 million, payable in cash.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
On Friday 28th May, Centaur acquired the company Taxbriefs Holdings Ltd for a consideration of £1.9 million, payable in cash.
Bauer Media's weekly fashion glossy Grazia has secured a solus Augmented Reality advertising deal to promote the launch of L'Oréal Paris’ new lip gloss range, Glam Shine Reflexion.
Established in 1993, Occam is one of the UK’s leading database marketing services companies, says St Ives.
The Royal Mail has released its quality of service report for 2009-2010.
Garnett Dickinson has announced that magazine distributor, Native Publisher Services, has merged in to the Garnett Dickinson Group to grow its presence in the magazine distribution sector.
BBC Worldwide’s popular science and technology magazine Focus will next week go on sale with an augmented reality cover, set to be the “scariest cover in magazine history”.
Creative firms are being offered the chance to work for a year with some of the UK’s top creative industry executives in a pioneering scheme to develop high-potential businesses.
Royal Mail Group has announced the appointment of Moya Greene as Chief Executive.
With reference to speculation in Campaign, Bauer Media has released the following statement:
The collapse of magazine distributor MMC is both a sign of the times and the end of an era, writes Jo Bowman.
Ipex, which is held at the NEC every 4 years and has just closed, is the biggest printing event anywhere in the world this year. Andrew Wilson was there.
Haymarket Media Group is putting all of its football and content creation expertise behind England’s 2018 World Cup bid.
BBC Magazines has announced licensing agreements for Lonely Planet Magazine in Argentina and the Philippines.
The new issue of Star Trek Magazine is available to read in full on PC, Mac or iPad at Zinio.com, a leading digital newsstand.
B2B magazine and website publisher Civil Society Media received a welcome 20th birthday present from the new government with the announcement from Number 10 that the old Office of the Third Sector would henceforth be known as The Office for Civil Soc