Bauer appoints new head of direct marketing
Bauer Media have appointed Alix Thompson to the role of Head of Direct Marketing across Lifestyle, Celebrity and Entertainment brands.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Bauer Media have appointed Alix Thompson to the role of Head of Direct Marketing across Lifestyle, Celebrity and Entertainment brands.
This week's issue of Bauer Media's lads' mag Zoo will appear in 3D to readers - as well as its website and mobile users – in what Bauer claims is a cross-platform first for this market.
GamesMaster – the multiformat games magazine - has unveiled its fresh and punchy new look this week – the biggest reboot in its 17-year history.
Future’s 2010 Adrian Flux Auto Series kicked off in style with Japfest delivering a record breaking start to the season, says the company.
Future, the special-interest media group, has announced the appointment of Luke Peters as Editor of technology magazine T3.
Wyndeham Group announces that it has invested £2.5 million in new perfect binding capacity at its Southernprint, Upton site.
The lead-up to the FIFA World Cup in 2010 has ushered in a bumper year for FourFourTwo magazine, says Haymarket.
Haymarket Media Group founder Lord Heseltine received Kodak’s 2010 Print Ambassador Lifetime Achievement Award at Ipex.
Independent magazine distributor Magazine Marketing Company (MMC) has gone into administration.
In our headlong rush to embrace eReaders in general, and the iPad in particular, are we in danger of getting ahead of ourselves? Are we ramping up our expectations too high and have we actually thought through the publishing strategy? In this period
Gotcha! There’s no doubt that a compelling headline can live long in the memory. But it is not for posterity’s sake that marketing copywriters agonise over them. It’s more prosaic than that. The purpose is to grab the reader’s attention there and the
It’s tough selling ads when bonuses are a distant memory and it seems like everyone’s binning your emails and ignoring your calls. Jo Bowman reports on how magazine sales teams are sharpening up their act and keeping up their chins.
Zest magazine, the women’s health magazine published by the National Magazine Company, is this month guest-edited by Elizabeth Hurley, hailed by Zest as “the ultimate bikini icon for real women”.
A sea of FourFourTwo branded shirts is expected to flood Wembley stadium when 35,000 Swindon Town fans arrive for the Football League One Play-Off Final on May 29.
After what the organisers claims was the most successful Publishing Expo to date with over 3,300 publishing professionals attending the 2010 Publishing Expo, Publishing Expo 2011 is moving to a “bigger more modern” venue.