M&A taking centre stage
When analysing the latest Media Futures results, one thing that stood out was a big increase in M&A activity. Jim Bilton looks at the whys and wherefores.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
When analysing the latest Media Futures results, one thing that stood out was a big increase in M&A activity. Jim Bilton looks at the whys and wherefores.
Looking for the right publishing strategy, but not sure where to start? Preparing your company for sale, even if you have no intention of selling, should set you on the right track.
The Drum has announced the shortlist for its 2019 Content Awards, which take place on 30 October.
The Data Protection Network has announced a new award – The DPN Rosemary Smith Award for Responsible Marketing – in honour of Rosemary, who died in April.
TI Media has announced that Marie Claire UK editor-in-chief Trish Halpin and managing director Justine Southall are to both step down as the brand pursues its digital-first future.
It’s very easy to get carried away by lots of pleasing looking website development plans, full of lovely new bells and whistles, but are they worth it? Successful publishing is all about asking the right questions.
Mark Allen Group title Choir & Organ has completed its digital archive in collaboration with digital publishing company Exact Editions.
ESco has successfully migrated NME and Uncut to ESco as part of the recent purchase by existing client BandLab UK Ltd.
Hearst UK is partnering with Procter & Gamble in a body confidence campaign after its largest ever research piece revealed how negatively women think about their bodies.
Elle, Hearst’s fashion and style media brand, has announced a new format for its annual Elle Weekender.
The findings of the latest Media Futures research were recently unveiled by Jim Bilton. James Evelegh went along to hear how publishers are doing…
With more and more of our readers accessing our content via mobile, we need to work harder to make sure our sites perform well on smartphones. As Publisher's Toolbox MD Rich Cheary explains, having a responsive website is not enough.
Miles 33 has announced that Beano Studios, the content business that creates, curates and delivers entertainment for kids of all ages worldwide, has gone live on Gemstone.
IPSO this week announced that all major publishers in membership have chosen to remain part of the IPSO system for the next five years.
Self Select now can offer UK and European publishers free publication distribution into Spain along the Costas with ‘Self Select Media’.