My Sep/Oct takeaways
The September / October issue of InPublishing magazine has just been published. James Evelegh lists six key takeaways from this issue.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The September / October issue of InPublishing magazine has just been published. James Evelegh lists six key takeaways from this issue.
The principles of agile software development underpin the operations of many key suppliers to the publishing sector. Publishers can learn from them too! Jörg Koschitzki and David Rheault of content management specialists vjoon answer the questions.
Condé Nast has announced the forthcoming launch of Wired in South Korea with Yoon-Kyoung Kim appointed Editor-in-Chief.
Hearst UK has announced the return of the Esquire Townhouse for its fourth consecutive year, with Swiss watchmaker Breitling confirmed as the headline sponsor for the second year in a row.
DC Thomson Media has launched a new glossy, monthly magazine, Platinum, aimed at women over the age of 55.
BBC Sky at Night Magazine has announced the return of Back Garden Astronomy Week, but this time with an astrophotography focus and with new commercial partners.
Marie Claire UK this week announced the appointment of Andrea Thompson to the role of editor-in-chief.
Lots of publishers are now offering club style membership schemes, looking to generate extra revenue and deeper engagement. Dickon Ross looks at the membership model.
Saying you’re customer centric is one thing, being customer centric is another. Does it show in the things you do and the things you measure? Julian Thorne identifies five characteristics of truly customer centric publishers.
Noisy smoke filled rooms, manual typewriters and revolting coffee. David Hepworth remembers his first job in publishing.
You won’t find many people who think that having a complete picture of your customer base is anything other than a good idea. So, why do many publishers soldier on without one, or make do with an inadequate CRM solution?
Whilst many publishers are going digital-first and reducing expenditure in their print products, Eye magazine is going in the opposite direction. they use digital to promote print, and work hard ensure that every print edition is a collector’s item.
The Empire team, celebrating its 30th birthday, has enjoyed its fair share of awards over the years. Although they’re clearly good at what they do, Terri White has no doubt where most of the credit lies – its loyal readers.
Don’t know your Boleyns from your Borgias? Never fear, there are history magazines bringing the past into the present. Alan Geere explores the newsstand.
James Evelegh’s roundup of some of the news stories that caught his eye over the last couple of months.