IAB Europe publishes annual programmatic benchmarking studies
IAB Europe has announced the launch of its annual ‘Attitudes to Programmatic Advertising’ report, alongside its programmatic market-sizing research.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
IAB Europe has announced the launch of its annual ‘Attitudes to Programmatic Advertising’ report, alongside its programmatic market-sizing research.
TI Media announced yesterday that the title will be going “digital-first” and that the November 2019 issue will be the final print edition of Marie Claire UK.
Air Business continues its commitment to keeping its customers’ data secure through gaining BS 10012 (Personal Information Management System) certification for distribution and subscriptions.
Hearst Magazines has announced that James Wildman has been named president of Hearst Magazines Europe.
Gold Key Media has partnered with the Conservative Party for what’s likely to be one of the most closely watched party conferences in recent times.
A new refreshed The Telegraph Magazine will be published on September 7.
This week, Anthem Publishing publishes their tribute to Elvis Presley – Vintage Rock Presents Elvis.
Empire magazine is to publish the ‘World Exclusive’ first shoot and interviews with Martin Scorsese, Robert De Niro, Joe Pesci and Al Pacino for The Irishman.
Harper’s Bazaar has announced Armani beauty as the new headline sponsor for its annual Women of the Year Awards.
Ethical Consumer magazine has collaborated with digital archiving company Exact Editions to create a new digital edition.
Publishers have no shortage of data; the problem is that in its raw state, it’s of little use. It needs to be properly structured and integrated. Is yours? Why not?
The NFRN has announced that after 100 years of being based predominantly in London, it is to relocate its head office out of the capital.
Media distribution and marketing agency Gold Key Media has launched a digital advertising program in some of the UK’s most prestigious corporate headquarters.
Immediate Media Co’s Bristol Division has opened the doors to newly refurbished Eagle House, which will become home to more than 500 staff in the heart of Bristol.
Hearst UK has announced the official launch of Hearst Showroom, a premium space for companies to showcase their latest products and services to the editorial teams across all of Hearst’s brands.