Tribal Art Magazine launches online archive
Quarterly publication Tribal Art Magazine has joined forces with digital publishing company Exact Editions to create a new fully-searchable archive of back issues.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Quarterly publication Tribal Art Magazine has joined forces with digital publishing company Exact Editions to create a new fully-searchable archive of back issues.
Bauer Media has appointed Maria Williams as Podcast Editor.
Asian Media Group decided to transition from manual systems to specialist software to manage their events and chose Evessio’s event management system.
BBC Good Food is celebrating its 30th birthday with a bumper anniversary issue, the brand’s first-ever cookery class pop-up and the launch of the BBC Good Food Podcast with Tom Kerridge.
When it comes to reporting their ABCs, publishers are past masters at putting a positive gloss on the figures, however disappointing they might be…
IAB Europe, in partnership with IAB Tech Lab, today announced the launch of the second iteration of the Transparency and Consent Framework (TCF).
The Week Junior has launched a new podcast, The Week Junior Show, in partnership with Fun Kids, the children’s national radio station.
The NFRN has appointed Greg Deacon as its new chief operating officer.
Comprising over 50 issues spanning 5 years, as well as each new issue published, the title can now be perused digitally on web, iOS and Android as part of a recent collaboration with Exact Editions.
The ABC has released the consumer magazine circulation results for the January – June 2019 period and publishers have responded with their interpretation of the figures.
UK magazine publisher Dennis has chosen to use Evessio’s event management software to run its circa 65 events per year.
Hearst UK has announced the launch of The Nest, its in-house ideas and talent incubator programme, in China.
Condé Nast this week appointed a new global leadership team designed to accelerate the company’s evolution into a 21st century media company.
Single sign-on provider OpenAthens revealed a new user-centred identity at the CILIP conference in July.
Apple News Plus is coming to the UK this autumn. Are you ready? Are you fully up to speed on what Apple’s new service means for publishers? Sprylab’s Esra Celebi has eight key facts that publishers need to know now.