What we can do to help
Factfulness, by Hans Rosling, Anna Rosling Rönnlund and Ola Rosling, is a superb book. James Evelegh thinks it should be on every publisher’s reading list.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Factfulness, by Hans Rosling, Anna Rosling Rönnlund and Ola Rosling, is a superb book. James Evelegh thinks it should be on every publisher’s reading list.
The Week Junior and Science+Nature, published by Dennis, are shedding their packaging for subscription mailouts, in a bid to go ‘naked’ for the planet.
The PPA’s quest to improve their events by offering has led them to partner with Evessio for their events management software.
Signature Publishing is launching a special issue of We Love dedicated to UglyDolls, the new animated musical adventure from STX films.
DC Thomson Media has introduced the role of Chief Revenue Officer to the business, to focus on commercial activities that generate revenue across the newspaper and magazine teams.
Dennis, the publisher of Auto Express, evo and Carbuyer, has acquired social media brand Car Throttle.
Anthem, the Bath-based health and wellbeing publisher, last week launched its first premium, paid-for video training course.
Bauer Media’s film magazine Empire is to publish 30 split covers for its September 2019 issue in celebration of its 30th anniversary year.
Bauer Media’s Grazia has announced the appointment of Kenya Hunt as Fashion Director.
Edward Faulks QC, Lord Faulks, has been appointed as the Chairman of the Independent Press Standards Organisation, with effect from 1 January 2020.
Marie Claire UK has launched a new version of Marie Claire Edit, allowing users to search more than 6,000 brands using one single search bar.
BlueToad has been chosen by Amazon to be a launch partner for its new voice technology offered through the company’s Amazon Polly service – one in the style of traditional newscaster.
As he prepares for the launch of his first edition as Global-Editor-in-Chief of i-D, Alastair McKimm has announced four senior editorial appointments to the title.
Hearst UK has pledged to replace plastic magazine bags with sustainably-sourced paper wraps on subscriber copies by January 2020.
British Vogue reveals its ‘Forces for Change’ in the September issue, which is guest edited by the Duchess of Sussex.