Apple China recognizes success of GQ app
GQ 24 has been selected by Apple’s App Store in China as one of the 27 “Best of 2014” iPhone Apps.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
GQ 24 has been selected by Apple’s App Store in China as one of the 27 “Best of 2014” iPhone Apps.
Forbes announced yesterday the launch of its latest local-language edition, Forbes Austria, in partnership with Business Consulting & Media and its Austrian branch MediaRey AT GmbH.
Future yesterday announced that it is the first UK magazine publisher to partner with Google’s Subscriber Verification System, allowing subscribers to access digital versions of the print magazines they already subscribe to via the Google Play Newsst
Future Fusion, Future plc’s in-house content marketing agency, has been chosen by LG for an exclusive six-figure, multi-brand, multi-platform content partnership deal for their OLED TV range.
DC Thomson’s teenage magazine Shout has been named Magazine of the Year at the 2014 Scottish Magazine Awards hosted by PPA Scotland.
Centaur Media’s specialist publishing division, Ascent, has completed its move to Abacus e-Media’s ADvance audience management platform.
Autosport have teamed up with Williams to create a new engineering prize which will be awarded at the Autosport Awards 2015.
Forbes has announced four new appointments in its editorial department.
The Press Distribution Review Panel (PDRP) meeting on 27th November 2014 welcomed a number of new panellists.
Shortlist Media Ltd today announces a significant evolution of its commercial operations as it gears up for further growth in the year ahead.
Town & Country, the luxury lifestyle magazine published by Hearst Magazines UK, has today announced the appointment of Tina Gaudoin as editor-in-chief.
ShortList and Stylist magazines are trimming weekly ABC targets to their core levels of just above 500,000 and 400,000 respectively, after several years of incremental distribution increases. The new figures will be reported at February’s ABCs, says
Future Fusion, the global content marketing agency at Future plc, has announced a deal with Under Armour, the leading sporting apparel, accessories and footwear company.
The PPA held its annual Independent Publisher Conference at the Montcalm Hotel, Marble Arch in London last Friday. James Evelegh was there, taking notes.
Egmont Publishing, the specialist children’s publisher, has announced the launch of the first Bing magazine as part of their pre-school Play & Learn title.