125 Years of Good Housekeeping USA
Princess Diana and Margaret Thatcher rub shoulders with Mother Teresa and Hillary Clinton in Good Housekeeping USA’s top 10 most inspiring and powerful women in history.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Princess Diana and Margaret Thatcher rub shoulders with Mother Teresa and Hillary Clinton in Good Housekeeping USA’s top 10 most inspiring and powerful women in history.
Better Capital Limited has announced that BECAP Fund LP has completed a second acquisition. BECAP has backed the management buyout of the UK business of Reader's Digest in a transaction valued at £13m.
Dennis Publishing has announced the launch of its new financial title, Prosper, which is sent out free of charge to over 150,000 UK subscribers to The Week.
Future, the special-interest media group, has launched its sixth annual Digital Camera Photographer of the Year competition (http:///www.poty2010.com) – supported for the first-time by the global tourism body, VisitBritain (http://www.visitbritain.or
Your Family History is a new launch “packed full of practical advice for anyone interested in researching their family history”.
Songlines magazine has announced a world exclusive promotion with its June issue, on sale 30 April. Award-winning British folk singer Jim Moray pre-releases his brand new album, In Modern History, as a free covermount for the title.
Two Sides, the UK initiative to promote the responsible production and use of print and paper and encourage its use, has announced that its membership is now over two hundred and that its drive to reach and educate media buyers continues with the iss
FIPP has announced the winners of the FIPP Research Award 2010, which is given for the best research published in 2008 or 2009 which promotes the use of magazines as an advertising medium, anywhere in the world.
Polestar has printed over four million copies of the 2010 edition of Beautiful Gardens magazine, published by Haymarket Network for the Tillington Group of Garden Centres, an alliance of prominent family-owned garden centres.
Informa plc is being recognised as one of Britain’s Top Employers for the third year running.
Future, the special-interest media group, and its partners Five and North One Television, have unveiled The Gadget Show Magazine, a one-off collectors’ special from the successful technology show.
Marie Claire is publishing a power-themed May issue. The special edition of the magazine launches a mentoring campaign backed by a host of high profile women, who will be offering their time and expertise to mentor readers.
A new vision for the longest-published music weekly in the world is unveiled today – the first major development of the NME under new editor Krissi Murison.
Quark has announced that it has acquired the assets and technology of GLUON, the New Jersey-based software company that has developed tools for the corporate and publishing industries for over twenty years.
Hearst Magazines and the National Magazine Company have announced that 5 fifteen will provide print and digital advertising, database administration, and billing services to the two companies through its ad DEPOT integrated solution software.