Tom Bureau appointed CEO of BurdaInternational
Tom Bureau has been appointed CEO of BurdaInternational, the international arm of media and tech company Hubert Burda Media.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Tom Bureau has been appointed CEO of BurdaInternational, the international arm of media and tech company Hubert Burda Media.
Signature Publishing has partnered with Cyber Groups Studios to launch Adventures with… Gigantosaurus magazine, based on the animated TV series and Jonny Duddle’s original book.
Forbes has announced the launch of a new editorial channel, Forbes Sustainability, dedicated to covering the most pressing issues related to climate change and sustainability.
Publisher’s Toolbox have announced their latest partnership – with Clarion Events North America, the US division of Clarion Events UK.
The UK’s digital advertising market rallied in 2020, following the initial impact of the pandemic on spend, according to IAB UK’s latest Digital Adspend report.
In partnership with Immediate Media, the National Literacy Trust has launched a new magazine-themed challenge to pupils across the country: the Immediate Magazine Reading Champions.
Melissa Denes, the editor of Guardian Weekend, is joining the New Statesman as Features Editor.
The Family Traveller brand (magazine, website, social media) relaunches this June with a new editorial team, new investors and, say the publishers, a huge pool of new consumers.
Woman&Home UK is launching Woman&Home Beauty Counter, which publishers Future describe as “the ultimate members club for beauty-loving women”.
Marie Claire UK, Future’s fashion and beauty brand, has expanded the Marie Claire Edit platform to include a luxury beauty offering, in partnership with Net-a-Porter.
Digital magazine app Readly has announced the signing of News Corp Australia (News Life Media) to its stable of publishers.
The latest IPA Bellwether survey results pointed to a further decline in UK marketing budgets in the opening quarter of 2021, as coronavirus lockdown restrictions continued.
The Press Distribution Forum (PDF) has announced the publication of an updated Press Distribution Charter together with a dedicated charter website.
Immediate Media Co has announced that its live events businesses, River Street Events and Upper Street Events, have been rebranded as Immediate Live.
WoodWing, a provider of content orchestration solutions and services globally, has reached an agreement to acquire Scienta, active in the content management space.