IET launches new journal
The Institution of Engineering and Technology, one of the world’s leading professional societies for the engineering and technology community, announces the launch of its latest journal, IET Biometrics.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Institution of Engineering and Technology, one of the world’s leading professional societies for the engineering and technology community, announces the launch of its latest journal, IET Biometrics.
River has been chosen by The Co-operative to publish ‘The Co-operative Village’ Magazine, to be handed out at events this summer.
Field Gibson Media Ltd, owned by Peter Field, founder of Risk magazine, and Tony Gibson, former chief executive of Financial News, has bought Fulton Publishing, which publishes Environmental Finance and Carbon Finance, for an undisclosed sum.
Pedigree Media Int’l Ltd, a travel publisher since 2003 of travel trade show official catalogues, have launched their first consumer magazine, Journeys – For the Travel Connoisseur.
Condé Nast UK and Zappar, the augmented reality App, have announced a partnership that will bring the June issue of Tatler to life to celebrate The Queen’s Diamond Jubilee.
The PPA Advertising Awards have been launched to highlight and recognise the finest examples of advertising planning and execution within magazine media brands and channels, available from the UK’s professional publishers.
Lineup Systems Limited, the international provider of advertising management and Customer Relationship Management solutions to the media industry, has formed a partnership with Gothia, the leading integration specialist for the Nordic region based in
Myriad, the software package that is a modular approach to providing advertising, book/products, event and subscription administration to publishers of all types and sizes can now boast a variety of email integration methods.
Clark White Publishing, the publisher of What Mobile magazine, is following the success of its Essential iPad 2 Handbook with a new special edition consumer guide.
What Car? has launched True MPG, an exciting new initiative to give Britain’s car buyers the most realistic fuel economy information possible.
The summer issue of i-D magazine has eight different covers.
Cedar are celebrating the first anniversary of their Shanghai office with the publication of the fourth edition of the Chinese edition of the Tesco Magazine.
Future Publishing has unveiled the latest phase of its Techmonitor rolling research programme – this time focusing on consumer attitudes to the new generation of Smart TVs.
Haymarket’s Stuff magazine has become the latest title to create an interactive edition by using image recognition platform Blippar.
For B2B controlled circulation titles, the urge to play fast and loose with your own publishing schedule can be irresistible, especially if you’re waiting on an ad. Resist the urge, writes James Evelegh, because ultimately it will damage your brand.