Launch: Citibet magazine
Citibet, the free weekly football betting magazine, is set to launch this week in London with an editorial staff led by former FHM and Rolling Stone editor Ed Needham.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Citibet, the free weekly football betting magazine, is set to launch this week in London with an editorial staff led by former FHM and Rolling Stone editor Ed Needham.
MyM, a new monthly magazine for manga and anime fans, goes on sale 3 May, priced £3.45.
Western Gazette Media has launched a new magazine aimed at high achievers in Somerset and Dorset.
Dora Little Cooks Party Special, a oneshot from Eaglemoss, goes on sale on 10 May, priced £9.99.
August Media’s This Magazine for Ocado has been shortlisted in the Editorial Design category at the Design Week Awards 2012.
Rhapsody Orchestrated Media has helped client IPC Media scoop the award for PPA Best Production Team of the Year at the PPA Production and Environment Awards 2012.
To mark its newly launched Fair Game for Women in Sport campaign, Stylist magazine claims to be making publishing history by putting England and Arsenal Ladies player, Rachel Yankey, on its cover.
Former Condé Nast International chairman, Daniel Salem, died at the weekend, aged 87.
Immediate Media Co is to launch Rastamouse magazine, a lively children’s title aimed at pre-schoolers, based on the popular CBeebies TV programme of the same name.
Hubert Burda Media UK is teaming up with Breakthrough Breast Cancer to help raise funds for research into the disease, which affects over half a million women in Britain.
Molten, a hard rock and metal music magazine based in Northern Ireland, is launching on the newsstand throughout the UK.
Informa plc’s newly published corporate responsibility report marks out its vast challenge to introduce a ‘brain print’ concept, which is the media industry’s way of understanding its impact from content produced.
FIPP has published The WMM Guide: Licensing and Syndication Explained – a report aimed at publishers and media owners looking to take the first steps towards international expansion.
Kapow! Comic Convention has announced that Future Publishing’s film portfolio – comprising Total Film, SFX and Comic Heroes – will be the main media partner for this year’s event.
The 100 Greatest Boxers, a oneshot from Boxing News, goes on sale 26th April, priced £9.99.