Grand Designs Magazine celebrates 100th issue
Grand Designs Magazine, published by Media 10, is celebrating its 100th issue with a collectors’ special.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Grand Designs Magazine, published by Media 10, is celebrating its 100th issue with a collectors’ special.
Two Sides, Print Power and VTT, the Technical Research Centre of Finland, are carrying out a study on how consumers from 15 countries, including the United States and Australia, perceive print advertising.
Rihanna, Jessie J, and Nigella Lawson are set to battle it out with Wills and Kate, Family Guy’s Peter Griffin, and Gazza in a public vote for the best magazine cover of the past year.
UBM plc has announced it has acquired Negocios nos Trilhos, South America’s leading railway industry exhibition, from Grupo Revista Ferroviária on behalf of UBM Live.
Alan Thorburn, HR Director at Trinity Mirror Printing Ltd, has been elected as a Trustee by The Printing Charity.
Mike Sherrard has joined Archant Lifestyle as Managing Director of Exhibitions and Events to help develop a third route to market, alongside print and digital.
Computer Arts Magazine has released its 200 issue, and to celebrate this landmark, Computer Arts created a celebratory front cover with special decorative finishes completed at Celloglas in Reading.
ELLE, the fashion and beauty brand published by Hearst Magazines UK, has unveiled global fashion icon and superstar footballer, David Beckham, as its first ever solo male cover star.
Luton & Dunstable At Large, the area’s entertainment, events and listings magazine, is celebrating a milestone with the publication of its 150th issue on 26th April.
Incisive Media has launched a brand new new title – Workplace Savings and Benefits – for finance directors, HR directors and employee benefits directors.
Eve Williams, 28, has been appointed Managing Director of Cedar Communications as the creative and commercial content agency re-structures after two years of dramatic change and growth.
Hearst Magazines UK, Hearst Corporation’s principal business in the UK, has harnessed the editorial quality, trust and authority of its power brand Good Housekeeping, to launch a new magazine, Good Ideas, which has been especially designed for both p
New freemium magazine Scout London launches in the capital on Tuesday, April 17, featuring major advertising campaigns from brands including Uniqlo and National ArtPass.
Radio Times has appointed Jacque O’Donnell as Ad Director on the leading entertainment title owned by Immediate Media Co.
The Institute & Faculty of Actuaries (which goes under the brands The Actuarial Profession and the Staple Inn Actuarial Society) has appointed Redactive Media Group to develop its multiplatform membership magazine, The Actuary, previously published b